Author: Tara Tiger Brown

  • What Thirty Days of Sitting Outside Looks Like

    Sit Daily Outdoors is thirty ten-minute practices that arrive by email, one a day. Here is what is inside them, why they are short, and how to try the first three without paying.

    Everybody already knows that time outside helps. The advice arrives without instructions. You walk to the park, stand near a tree, and wonder how long counts, whether you are doing it right, and what to do with your hands. Ten minutes later you go back inside, mildly improved, and it never happens again.

    That gap between knowing and doing is the whole reason Sit Daily Outdoors exists.

    How a Sit Spot Works

    At its core, a sit spot is deceptively simple. You choose one specific place outdoors, like a quiet park bench, a balcony chair, a porch step, or the base of a neighbourhood tree, and return to it regularly to sit quietly, observe, and let the local ecology become familiar.

    While popularized in modern nature education through tracker and author Jon Young and ancestral awareness lineages, the instinct is timeless. You repeatedly visit the same patch of ground until your senses calibrate to the life moving through it. Sit Daily Outdoors translates that deep observational habit into structured, ten-minute guided audio sessions designed for modern daily routines.

    Thirty practices. Ten minutes each. One arrives in your inbox every morning. You open it, you go outside, you do the thing it describes, and you get on with your day. No app to download, no login, no streak counter waiting to tell you that you failed.

    Each practice names three things, including a place to sit, how long to stay, and one thing to pay attention to. Sound on the first day. The edges of your vision on another. The temperature moving across your skin as the light shifts. That single attention target is doing more work than it looks like. It gives your thinking mind a job small enough to actually hold, and while it is busy, the rest of you gets to stand down.

    You are not trying to relax. You are practicing coming back to baseline.

    Your spot can be a balcony, a bench outside the office, or the same square of grass by the bus stop. A forest is lovely and it is not the requirement. The practices were built for people who live in cities, because that is where most of us are.

    Why Ten Minutes and Not an Afternoon

    Because ten minutes survives a bad week.

    Short repeated exposures build a stronger connection to a place than one long session does. Ten focused minutes, several times a week, will teach you more about the tree outside your window than a single ambitious hike next month. The hike is wonderful. It also gets cancelled when work goes sideways, and then nothing has changed.

    There is a second reason. A place only begins to reveal itself once you have spent quiet, regular time in it. On day two you notice a bird. On day nine you know that bird by sound before you see it, and you know it arrives around the same time you do. That kind of noticing cannot be crammed.

    What the Research Shows

    My doctoral research at UBC’s Faculty of Forestry (explore the research) included a randomized crossover clinical trial across Vancouver’s urban forests. That work sits inside decades of shinrin-yoku and nature immersion evidence from Japan and Canada, which consistently show that time spent attentively outdoors supports stress recovery and nervous system regulation.

    Dr. Tara Tiger Brown research data on nature connection and stress recovery

    The part I care about is translation. A study result is not a practice. Somebody has to turn it into ten minutes you can do before your coffee gets cold, on a Tuesday, in the rain, without special equipment. That translation is what you are buying.

    Three Ways in (Free, 7-Day, and 30-Day)

    The free three days. The first three practices, no payment and no card, and they stay in your account for good. Start them this weekend or next spring. If sitting still turns out not to be for you, you have lost nothing but three ten-minute windows.

    Free 3-Day Sit Daily Outdoors starter practice card

    Seven days, CA$14. Practices one through seven, for anyone who wants to know whether a habit is forming before committing to a month.

    Thirty days, CA$39. All thirty practices, plus written notes and reflection prompts. This is the full program, and it is the one that changes how a place looks to you.

    There are facilitator packs as well, for occupational therapists, counsellors, guides, and anyone running groups. Five client seats for CA$175 or ten for CA$299, each with a seat for you. Try the free three days first so you know exactly what lands in your clients’ inboxes.

    Day Nine and the Habit Starts Itself

    Here is what I want for you, and it is smaller than it sounds. One morning around the second week, you will get to your spot and your body will settle before you have decided to settle. The sitting will start on its own. You will notice the light is different than it was last week, and you will know that only because you were there last week.

    That is the whole thing. Sit. That’s it.

    Frequently Asked Questions

    Do I need access to a wild forest or park?
    No. A balcony, a backyard chair, a front porch step, or a single street tree works just as well. The practice is about observational attention in your everyday environment, not remote wilderness access.

    How long does each practice take?
    Each guided audio session is exactly 10 minutes. Short, repeated exposure builds a much more durable habit than an occasional long weekend walk.

    What happens if I miss a day?
    Nothing bad happens. There are no streak counters, guilt notifications, or failure penalties. Pick up the next practice whenever you are ready to head outside.


    Start with the free three days in our Programs catalog or at sitspot.club. Bring an umbrella if that is the kind of week it is.

  • 2026: I’m Not Anti-AI, and I Still Write Postcards in Cursive

    It’s 2026, and I’m still writing postcards in cursive for my postcard club. Analog hobbies like this are getting renewed attention. They surged during the COVID-19 lockdowns, when people turned to gardening, baking, puzzles, crafts, and other offline activities to stay occupied. Now, as AI and automation become more embedded in everyday software, offline pastimes like journaling, gardening, letter writing, and birdwatching can feel more human and more intentional. I’ve also noticed how much more I’m cherishing my nature connection practice.

    Screenshot of a Threads post predicting that 2026 will be the year of massive adoption of analog hobbies with no phone or technology.
    The Threads post that sparked this article about the renewed interest in analog hobbies.

    AI has been steadily infiltrating every facet of our lives. It went largely unnoticed to the untrained / non-techie eye until the past few years, when it began appearing in every nook and cranny of our digital lives, offering to do our thinking and our work for us.

    My entire career has been tech-focused, and although I took a side quest to earn my PhD focused on nature and human health, I have always kept pace with trends. I’m a big fan of removing tedious, repetitive tasks so I can use my brain for more creative endeavours, but I have become frustrated that the choice of whether AI is in our software has largely been taken away from us. I’m not anti-AI, but I’m absolutely pro-autonomy and pro-agency. I want technology to support my choices, not make those choices for me.

    I want technology to support my choices, not make those choices for me.

    AI is polarizing with full adoption on one side, full rejection on the other, and neither extreme is where most of us actually live. What we need is balance: more agency to make intentional choices about how much AI we let into our personal lives, especially since our workplaces and society are already going full steam ahead with it whether we individually opt in or not.

    Others navigating this intrusion have raised questions like, am I speaking to a human? And what will happen if I’m mean to this chatbot when the robots take over? It wouldn’t surprise me if we’re seeing increasing adoption of non-internet, analog interests as an escape, and as an assurance that a human is on the other end of the interaction, engaging authentically without algorithms or automation.

    This isn’t the first time people have looked for something human amid rapid technological change.

    Timeline showing technological change from the First Industrial Revolution around 1800 through the Fourth Industrial Revolution around 2000.
    A timeline of technological change from the First Industrial Revolution to the Fourth Industrial Revolution.

    My Analog Escape

    My most consistent analog hobby has been being a member of a cursive-only postcard club for eight years. Every month I’m paired with someone somewhere in the world and I write them a postcard in cursive. We all take special care to find cool cards and it’s pretty much the only snail mail I receive that isn’t junk. As cursive isn’t taught enough in schools anymore, I feel like I’m contributing to keeping the skill alive.

    Collection of handwritten postcards from an eight-year cursive-only postcard club.
    Postcards collected through my cursive-only postcard club over eight years.

    A while back, I’m talking pre-AI life, Sean and I wrote a book about Interest-driven living. We never published it, but it’s been edited by a human and is pretty much ready to go. Hopefully we’ll put it out there, since pre-AI writing is a hot commodity now. That book was largely inspired by our friends from the maker and hackerspace world we were once deeply embedded in, and by my time working on connected learning research with Dr. Mimi Ito, who leads studies on how young people learn through their hobbies and peer communities.

    As more young people turn to analog hobbies, it’s worth exploring why these offline activities appeal to them in a world dominated by screens and constant digital connectivity. This shift feels less like nostalgia and more like an escape from the growing presence of AI in everyday life.

    The “Gen Z is engineering an analog future” piece I linked above captures 13- to 25-year-olds version of this shift. In 2025, more than 11.7 million Instagram posts used the hashtag #nostalgia, while searches for “90s movies” had doubled since 2015. The article describes this as anemoia, a longing for a past you never lived. As a Gen Xer, I find that both funny and easy to empathize with. Gen Z is nostalgic for the pre-digital experiences many of us remember: staying outside until the streetlights came on, drinking from the hose, talking on the phone for hours while the kids I was babysitting slept, making mixtapes from the radio, looking things up in an encyclopedia, using paper maps, and waiting for photos to be developed.

    The Line My Son Drew

    My teenage son drew his own line in the sand, clearly defining when he won’t use AI. He won’t use it for schoolwork (his school has been clear that they’ll expel students who do), and he won’t let it near his digital artwork. Building his 3D models is something he loves, takes pride in, and is still learning how to do. He recently modelled his own robot and then built it. I’ve documented his process so there’s no question he did it all himself, and so he can showcase his skills for future opportunities.

    Teen builder holding a controller to operate a robot he designed and built.
    My son operates the robot he designed and built.

    His stance isn’t quite the same as my postcard hobby, which is one way I unplug and recharge. His is a boundary and a deliberate refusal to let AI touch specific parts of his creative work, on principle, even in places where it’s allowed. Both are part of the same overarching pattern, but they’re not the same behaviour, and I don’t want to conflate them. With that distinction in mind, I wanted to look at the broader pattern.

    Are Analog Hobbies Actually Rising in 2026?

    We are now seven months into 2026, and I wanted to know whether search interest backs up what the Threads OP predicted back in 2025. I turned to Google Trends, comparing 2025 to 2026 search volume by hobby, in both Canada and the US (I’m a dual citizen, so I was curious about both.).

    Google Trends chart showing search interest in analog hobbies in Canada.
    Google Trends search interest in analog hobbies in Canada.
    Google Trends chart showing search interest in analog hobbies in the United States.
    Google Trends search interest in analog hobbies in the United States.

    A quick note on the stats: Google search interest measures curiosity, not participation. Just because more people are Googling “pottery classes” doesn’t mean more people at a pottery wheel. So, this is a signal, not proof.

    Analog hobbies with no phone and no tech

    This compiled list comes from the comments on the Threads post, along with related Google trends searches. None of these activities are modern in any sense; you’d find the same activities pre-internet, or even during the Industrial Revolution. That’s interesting on its own: is there any innovation happening in analog hobbies, or have they generally stalled? Maybe analog hobbies aren’t stalled so much as evolving through new communities, formats, and combinations with technology.

    • Birdwatching
    • Calligraphy
    • Journaling
    • Pottery
    • Art workshops
    • Listening to cassette tapes
    • Board games
    • Reading softback or hardcover books
    • Gardening
    • Letter writing
    • Sewing
    • Painting
    • Film photography
    • Listening to vinyl records
    • Puzzles
    • Making a zine
    • Home repair

    Maybe analog hobbies aren’t stalled so much as evolving through new communities, formats, and combinations with technology.

    Google Search, 2025 vs. 2026 in the U.S. and Canada

    I did a quick search using Google Trends to get a rough sense of changing interest in these hobbies. This is not a thorough analysis or representative study, but simply a snapshot of search activity in the U.S. and Canada.

    HobbyGoogle Search 2025 vs 2026
    Birdwatching30%
    Gardening80%
    Calligraphy30%
    Letter writing20%
    Journaling90%
    Pottery10%
    Sewing20%
    Painting10%
    Art workshops70%
    Film photography100%
    Listening to cassette tapes30%
    Listening to vinyl records40%
    Board games30%
    Puzzles10%
    Reading softback or hardcover books60%
    Making a zine20%
    Home repair110%

    The pattern isn’t a uniform escape, and I can’t claim that AI caused it. Economic conditions, home sales, or other factors may also be influencing these results. Still, skill-building hobbies in particular, including Home Repair, Gardening, Art Workshops, and Birdwatching, are up sharply. These activities reward practice and attention, whether it’s repairing something, growing something, making something, or learning to observe and identify birds. That’s more interesting than simply saying “analog is being massively adopted.” People aren’t just reaching for anything without a phone or tech. They’re reaching for activities that engage curiosity, creativity, and the satisfaction of making something real. Whether AI is the cause or simply part of the context, the desire for those experiences is worth paying attention to.

    Being Human

    That pull toward hands-on, self-directed activity isn’t new to me. In 2012, I wrote about the death of shop class in California schools, which had been cut because it wasn’t valued by university admissions requirements, even as companies like Boeing and Northrop Grumman struggled to find skilled tradespeople. That piece was one of the reasons I co-founded LA Makerspace, a hands-on space built because kids weren’t getting that exposure anywhere else.

    Tara Tiger Brown at LA Makerspace in August 2015.
    At Los Angeles Makerspace in August 2015.

    Fourteen years later, the context has changed, but the response looks familiar. When AI takes over too much of the making, people lose the chance to remain in a co-creator role, and some of that creative self-efficacy drops away.

    Maybe what looks like an escape from AI into the arms of analog experiences is really about control and the chance to decide what stays human.

    When AI takes over too much of the making, people lose the chance to remain in a co-creator role.

    AI Disclosure

    The European Commission’s Article 50 transparency rules (effective August 2, 2026) require labeling for synthetic audio, images, video, text, deepfakes, and chatbot interactions. None of those apply here because these are my thoughts, my words, my personal photos, my screenshots, my life! But for transparency: Gemini compiled the hobby list from the Threads post, created a spreadsheet, and explored search terms, Perplexity sourced the EU rule citation and some of the articles, which I then read, Rank Math made SEO suggestions, ChatGPT formatted the references, and Claude made grammar suggestions which I largely ignored.

    References

    Bonner, S. (n.d.). Sean Bonner. https://seanbonner.com

    Brown, T. T. The death of shop class and America’s skilled workforce. Forbes (2012, May 30). https://www.forbes.com/sites/tarabrown/2012/05/30/the-death-of-shop-class-and-americas-high-skilled-workforce/

    Brown, T. T. (2011). Got kid-friendly hackerspace in Los Angeles? https://taratigerbrown.com/got-kid-friendly-hackerspace-in-los-angeles/

    Connected Learning Alliance. (n.d.). About connected learning. https://clalliance.org/about-connected-learning/

    European Commission. (n.d.). Guidelines for transparency of AI-generated content. https://digital-strategy.ec.europa.eu/en/policies/guidelines-transparency-ai-generated-content

    Google. (n.d.). Google Trends. https://trends.withgoogle.com/

    Interest-Driven Life. (n.d.). Interest-Driven Life. https://interestdrivenlife.com

    KPMG. (2018) Learning to learn: The future of education. https://assets.kpmg.com/content/dam/kpmgsites/uk/pdf/2018/10/learning-to-learn_report.pdf

    LA Makerspace. (n.d.). LA Makerspace. https://lamakerspace.org

    McGuire, J., De Cremer, D. & Van de Cruys, T. Establishing the importance of co-creation and self-efficacy in creative collaboration with artificial intelligence. Sci Rep 14, 18525 (2024). https://doi.org/10.1038/s41598-024-69423-2

    National Institute for Management. (n.d.). Consumer response to AI-generated books in a pressured market. https://www.nim.org/en/research/projects-overview/detail-research-project/consumer-response-to-ai-generated-books-in-a-pressured-market

    Sit Spot Club. (n.d.). Sit Spot Club. https://sitspot.club
    Threads. (n.d.). Post by Sammi Cohen Talks [Social media post]. https://www.threads.com/@sammicohentalks/post/DQNPhwzEiWi

    Yahoo Finance. (2026). Gen Z is engineering an analog future. https://finance.yahoo.com/sectors/technology/articles/gen-z-engineering-analog-future-090000793.html

  • Side-by-Side: A Nature Practice To Transform Your Relationship

    Side-by-Side: A Nature Practice To Transform Your Relationship

    For the month of January we practiced sitting alone with nature. A participant asked for a practice they could do with a companion. In the words of Westley from Princess Bride: “As you wish.”

    Valentine’s Day usually means roses, chocolate, and dinner reservations. This year, try 20 minutes of shared stillness that costs nothing and might actually make you feel connected.

    This practice is called Side-by-Side. It works for romantic partners, close friends, siblings, basically whoever you feel safe spending time with outdoors.

    When you sit side-by-side in nature, your nervous systems sync up through bio-behavioral synchrony. Heart rates stabilize. Breath patterns influence each other. You both downshift from stress into calm.

    Co-regulation is free. No reservations required.

    What you need:

    • A sit spot (bench, log, grass, anywhere outdoors)
    • 20 minutes
    • Optional: blanket or cushion

    What you don’t need:

    • Perfect weather
    • Wilderness
    • Meditation experience
    • Romance

    Doing this solo? Sit, breathe, ground, and then do your own treasure hunt. Same practice, just you and the earth.

    Let’s Try!

    Find any outdoor space where you can sit side-by-side. A park bench, a log, your front steps, a patch of grass.

    Set aside 20 minutes (put a timer on if you wish) and put your phones aside.

    If you brought a cushion or blanket you can place them down. Get as comfortable as you can. In the words of Davidji, “feather your nest.“

    Just Breathe

    Spend a couple minutes just breathing and the feel of the person next to you. If it doesn’t feel comfortable at first, give it a chance. You won’t be sitting like this for long.

    Treasure Hunt!

    One person keeps their eyes closed or with a soft gaze. The other goes on a brief treasure hunt nearby looking for a natural object.

    Find something small from nature that is loose (no picking!) such as a pinecone, interesting leaf, smooth stone, piece of bark. Something with texture.

    Return quietly. Gently place the treasure in your partner’s open hands. Don’t tell them what it is. Don’t whisper hints.

    Eyes still closed or with a soft gaze, ask your partner to explore the treasure with their fingers. Is the texture rough or smooth? Does it feel warm or cool? Is it heavy or light? Is it round, flat, ridged?

    Guess what the treasure is before you open your eyes.
    ​
    Ask your partner to open their eyes and look at what they’ve been holding. Did they guess correctly? Were they surprised? Share why you chose this particular treasure for them.

    Trade roles. Now it’s your partner’s turn to go on a treasure hunt and you stay with closed eyes or a soft gaze. Repeat the same process: explore, guess, discuss.

    Sit in Silence

    Sit together again, holding your treasures. Close your eyes or have a soft gaze. Agree on how long to sit in silence. When your time is complete, ask each other one question: what are you noticing?

    That’s it. That’s the practice.

    Just 20 minutes of shared attention on the world around you instead of the relationship between you.

    Why This Works

    When you sit shoulder-to-shoulder with someone, your heart rates begin to stabilize together, your breath patterns influence each other, and stress hormones drop (Uvnäs-Moberg et al., 2015; Feldman, 2012).

    This is the same mechanism that helps bird flocks move in unison and keeps animal herds calm. Your nervous systems recognize safety in proximity.

    Sitting side-by-side (instead of face-to-face) removes the pressure of eye contact and “performing” connection. You’re both looking outward at the same world, which creates what researchers call joint attention, which is a shift from worrying about the relationship to experiencing the same reality together (Kaplan & Kaplan, 1989).

    Translation: Less awkward. More calm. Possibly transformative.

    Did you try Side-by-Side?

    Share:

    • What surprised you about sitting side-by-side instead of face-to-face?
    • What treasures did you find?
    • What did you notice?

    If you post your practice or treasures to Instagram be sure to tag @sitspotclub.

    *Characters adapted from public domain Fleischer Studios illustrations (1930s)

  • Why Being Still Helps You Hear Faint Sounds

    Why Being Still Helps You Hear Faint Sounds

    Did you know your brain actively suppresses your hearing when you move? Being perfectly still helps you hear faint sounds better!

    1. Lowering the Noise Floor (The Physical Fix): Every movement—a shifting shirt, a deep breath, or a joint crack—creates low-level sound (up to ~6 dB) right next to your eardrum. This raises your body’s “noise floor,” making it impossible to distinguish weak external signals. Stillness physically removes this self-generated competition.

    2. Disabling the Brain’s Mute Button (The Neurological Secret): The fascinating part: when your Motor Cortex plans any movement, it sends a preemptive signal called Corollary Discharge to your Auditory Cortex. This signal temporarily suppresses your sensitivity to sound, muting the expected noise from your own body (such as your voice or footsteps).

    When you achieve stillness, you switch off this suppression mechanism, allowing your Auditory Cortex to operate at maximum sensitivity for unexpected sounds coming from the environment.

    In short: When you stop moving, your brain stops muting the world!

  • What Beethoven Felt in the Woods

    What Beethoven Felt in the Woods

    When most of us think of Ludwig van Beethoven, we picture the scowling portraits, the wild hair, the man battling his own deteriorating hearing. What we rarely imagine is him circling a Viennese park in a downpour, humming silently to himself, composing in his head. But this image captures something essential about Beethoven: a composer who found in nature what the world had taken from him.

    He emerged from hours among the trees with the resonance he needed.

    Beethoven was not a casual park-stroller. Walking in forests and countryside was as fundamental to his creative process as paper and ink. Whether in the hills surrounding Vienna—Kahlenberg, Leopoldsberg, the rural Helenental valley—or returning to his native Bonn, these walks were not breaks from his work. They WERE the work. He emerged from hours among the trees with fragments of melody, emotional clarity, and what he called “the resonance he needed.”

    He was practicing what we now call nature therapy

    There’s something quietly radical about this habit. In the early 1800s, during the Industrial Revolution, Vienna was growing noisier, dirtier, and more polluted. Beethoven could have responded as many did: retreated entirely into the city’s concert halls and drawing rooms. Instead, he did the opposite. He walked toward the woods. He listened to bird calls. He sat by brooks. He was, without knowing it, practicing what we now call nature therapy; finding in forests what no doctor or hearing aid could provide.

    More the expression of feeling than painting.

    His Sixth Symphony, the “Pastoral,” is the physical manifestation of these walks. Completed in 1808, it’s the story of a day in the countryside told through five movements. “Awakening of cheerful feelings upon arrival in the countryside.” A murmuring brook. A thunderstorm with lightning and rain. The symphony doesn’t depict nature in a literal, photographic way. Instead, it captures the emotional truth of being immersed in the peace of a forest, the specific awe of a storm. He described the Pastoral Symphony as “more the expression of feeling than painting.”

    youtube placeholder image

    Beethoven used bird calls as musical material. The flute carries the nightingale’s voice. The oboe becomes a quail. Clarinets transform into cuckoos. Even his Fifth Symphony, with its famous “da-da-da-dah” opening, may owe something to the call of an ortolan bunting he heard during his walks. Nature wasn’t scenery for Beethoven. It was vocabulary.

    For surely woods, trees, and rocks produce the echo that man desires to hear.

    In one letter, he wrote: “How delighted I will be to ramble for a while through the bushes, woods, under trees, through grass, and around rocks. No one can love the country as much as I do. For surely woods, trees, and rocks produce the echo that man desires to hear.”

    That phrase—”the echo that man desires to hear”—is worth sitting with. Beethoven was deaf. The natural world, paradoxically, was where he found the deepest acoustic and emotional resonance. Trees and rocks and brooks gave back what silence had taken.

    Sitting in nature is a way of tuning ourselves to frequencies we otherwise miss.

    For those of us in the Sit Spot Club, this resonates. We’re doing something Beethoven understood intuitively: that sitting in nature isn’t a luxury or an escape. It’s a way of tuning ourselves to frequencies we otherwise miss. A way of hearing the echo we’re looking for.


    Want to experience what Beethoven did? Next time you’re in a forest or by water, listen like a composer. What birds do you hear? What feelings arrive when the rain begins? Your own resonance might be waiting there.